Jane Alexander is one of the most profound artists in southernmost Africa. This might be because of her volition to not gloss on her works but rather leave their meanings up to the dish to decipher. By doing this she creates a profound mystery around her works. Although I believe that most of her works are politically based, I think that theres probably some kind of personal hint to her pieces too. Predominantly a sculptor, her technique produces close to life-like figures that are comm scarcely disfigures and disturbingly decorated. The harshest of these disfigurements can be seen in Untitled (1982) where a total of wax, bone, plaster, steel, wood and paint vaguely resembles two human figures. By making the resemblance vague, Alexander lets the imagination of the viewer learn the rest. The figures look like two scrawny, mutilated, perhaps tortured, carcass of slew hung like animals in a slaughter house. The disturbing temperament in which they are presented is perhaps a comment on the oppression, and the figures an iconographic representation of the total disregard, for people of colour in reciprocal ohm Africa during Apartheid The Butcher Boys (1985) on the other hand only fetch from minor bodily alterations but are no little fearsome than Untitled, which is an ironic reflection on contemporaneous society.
The secern ideas presented by positioning the figures in a genuinely unremarkable and complacent pose and the facial expressions that just saturnalia the opposite, is what in the long run makes the piece so disturbing. They open no ears, no mouths, glazed-over eye an d seem bound to the judicatory on which the! y sit by some unseen force, and so the figures become materialistic manifestations of the restrictive laws of Apartheid. The horns the figures are given fool been turned downwards so that they no longer encounter as protection or a... If you want to get a full essay, order it on our website:
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